CANNES, France: Lebanese film-maker Nadine Labaki, who won one of the top prizes at Cannes on Saturday with a story of dirt poor children and migrants, dedicated her award to her impoverished amateur cast and her homeland. Labaki is the first Arab woman to have won a major prize at the festival and only the second to have had a film competing for the Palme d’Or. Her stirring film Capernaum, whose 13-year-old Syrian refugee lead captured hearts in Cannes, had been tipped to win the Palme in a bumper years for films from North Africa and the Middle East.
Accepting the third-placed Jury Prize, Labaki said her thoughts were with a 12-year-old cast member, who she discovered selling tissues on the street, and who had probably again spent the day with “her face pressed against car windows”. “I really think about them (the cast). I hope the film will enable the voices of these children to be better heard and trigger a debate,” she told reporters. The glamorous 44-year-old added that she was “almost ashamed to be wearing such beautiful dresses” to promote her film about a boy who takes his parents to court for bringing him into a miserable, loveless existence.
Capernaum, which won a 15-minute standing ovation at its premiere, catapults her into the big league after Caramel, her intimate debut about a Beirut beauty parlour, and Where Do We Go Now?, about women on a mission to end sectarian violence in their village.
In an interview with AFP this week she said that while she had previously amplified women’s voices she “never really felt pressure to talk about women just because I am a woman.”
“There are other things bothering me now,” she said.
“I’m thinking of the notion of borders, of having to have papers to exist, of being completely excluded from the system if you don’t have them, of the maltreatment of children, modern slavery, immigrant workers, Syrian immigrants.”
She does not spare the rod with her homeland in Capernaum, at the risk of being accused by the Lebanese of washing their dirty laundry in public.
But as she triumphed at Cannes, Labaki was gracious with her country, “which, despite everything it is accused of, gets by as best it can,” she said.
“It has welcomed the most refugees in the world (relative to its population), despite not having have the means to meet the needs of its own population.”
But, she appealed: “We cannot continue to turn our back and remain blind to the suffering of these children who try their best to make their way in this capernaum (confused jumble) that the world has become.”
Palme d’Or for Japanese director: Shoplifters, a heartwrenching family tale by Japanese veteran director Hirokazu Kore-eda, won the Palme d’Or top prize at the Cannes Film Festival on Saturday, at a ceremony marked by an emotional speech from a Harvey Weinstein accuser.
Spike Lee accepted the runner-up Grand Prix for BlacKkKlansman, a searing broadside against racism with the stranger-than-fiction true story of an African-American police officer who manages to infiltrate the highest levels of the Ku Klux Klan.
Jury president Cate Blanchett said the film, which explicitly links the 1970s tale and white nationalism in the Trump era, “blew us out of the cinema”.
— AFP
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