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EDITOR IN CHIEF- ABDULLAH BIN SALIM AL SHUEILI

Cinema's power to 'change the world' in focus

76th BERLIN FILM FESTIVAL
From Left: Jury member and Indian director Shivendra Singh Dungarpur, jury member and South Korean actress Bae Doona, jury member and Polish producer Ewa Puszczynska, jury member and Japanese director Hikari and jury member, US director Reinaldo Marcus Green and Berlinale director Tricia Tuttle, jury President and German director Wim Wenders and jury member and Nepalese film-maker Min Bahadur Bham pose after a press conference of the International Jury of the 76th Berlinale in Berlin. - AFP
From Left: Jury member and Indian director Shivendra Singh Dungarpur, jury member and South Korean actress Bae Doona, jury member and Polish producer Ewa Puszczynska, jury member and Japanese director Hikari and jury member, US director Reinaldo Marcus Green and Berlinale director Tricia Tuttle, jury President and German director Wim Wenders and jury member and Nepalese film-maker Min Bahadur Bham pose after a press conference of the International Jury of the 76th Berlinale in Berlin. - AFP
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Berlin Film Festival jury president Wim Wenders on Thursday hailed the power of cinema to "change the world" as the event's 76th edition kicked off, promising an eclectic selection of films reflecting current upheavals.


The Berlinale is the first major international festival on the annual film calendar, and has a reputation for topical and progressive programming.


This year's edition takes place against the backdrop of international tensions, the bloody crackdown on protests in Iran and global threats to human rights.


Speaking alongside other members of the jury at a press conference, Wenders, one of Germany's most celebrated directors, said "movies can change the world", but cautioned that "no movie has really changed any politician's idea".


"We can change the idea that people have of how they should live," said Wenders, who himself won an honorary Golden Bear award at the festival in 2015 in recognition of an illustrious career stretching back to the 1970s.


However, when pressed on Germany's support for Israel despite accusations of genocide in Gaza from human-rights groups, Wenders said: "We have to stay out of politics."


"We are the opposite of politics; we have to do the work of people, not the work of politicians," he said.


The festival's opening film, "No Good Men", by Iran-born Afghan director Shahrbanoo Sadat, tells the story of Naru, a reporter at a Kabul TV station, going through an acrimonious separation from her husband and who is increasingly questioning her beliefs about men.


The film is set in the run-up to the Taliban's seizure of power in 2021, which led Sadat herself to leave the country. She now lives in Hamburg.


Sadat, who also plays the lead role of Naru, said she was delighted and "surprised" to be chosen to open the festival.


"It took time until I could put myself together and realise what a big honour it is for me," Sadat said.


"So I think for the young Afghan cinema it's really a great opportunity," she said.


More than 200 films will be shown over the 10 days of the festival, of which 22 will be in competition for the top prize, the Golden Bear, last year scooped by Norwegian director Dag Johan Haugerud's film "Dreams".


As was the case last year, around 40 per cent of films being shown at the festival are from women directors, including nine of the 22 films in official competition.


In comparison with Cannes or Venice, Berlin attracts fewer big productions with A-list-heavy casts.


But that is not to say there are no big names on the programme.


"The Weight" features Russell Crowe and Ethan Hawke in a tale of a man forced to smuggle gold through the lethal wilderness of Depression-era rural Oregon.


Southern Germany stands in for the US Northwest in the film, one of an increasing number of American productions choosing to shoot abroad to save on costs.


In the official competition section, one of the most eagerly awaited films is "Rosebush Pruning", from Berlinale favourite Karim Ainouz, billed as "a biting satire about the absurdity of the traditional patriarchal family". - AFP

By JASTINDER KHERA


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