

At the entrance of Mutrah Souq, where the rhythm of daily life blends with the enduring presence of the sea, the evening of December 23 carried a different kind of energy. Passersby were drawn not only by curiosity, but by a quiet invitation to pause and reflect. Here, the second Student Endowment Exhibition, Creativity for Giving, unfolded as more than an art showcase. It stood as a human-centered initiative where education, creativity, and social responsibility converged.
Organized by Al Zahra College for Women in partnership with Siraj Endowment Foundation and the Office of the Wali of Mutrah, and held under the patronage of Her Excellency Professor Dr. Rahma bint Ibrahim al Mahrouqi, Minister of Higher Education, Research, and Innovation, the exhibition reflected a broader vision of learning. It emphasized how academic spaces can extend beyond classrooms and become active contributors to community development and sustainable giving.
What immediately distinguished the exhibition was its focus on the students themselves. Each artwork felt like a portrait, not only of a subject, but of its creator. The pieces carried traces of long hours, field visits, research, and self-doubt, transformed into confidence and expression. Rather than presenting polished outcomes alone, the exhibition revealed process, growth, and personal investment.
Dr. Musallam bin Ali bin Salim Al Ma'ani, Dean of Al Zahra College for Women, described the initiative as part of the college’s ongoing commitment to engaging with the local community. By transforming student projects into charitable contributions, the exhibition allowed creative outputs to gain a second life, one rooted in service. The proceeds from the sale of artworks were dedicated to Siraj Endowment Foundation, reinforcing the idea that creativity can be both expressive and generous.
Photography played a significant role in narrating this vision. Student Duaa Al-Din al Rashidiya participated through courses in graphic and photographic imaging, where students were encouraged to step beyond the familiar environment of the college. Traveling across governorates such as Al Dakhiliyah and Muscat, Duaa documented scenes from Nizwa, Bahla, and Mutrah. Her photographs carried a sense of observation rather than spectacle, focusing on quiet streets, architectural details, and moments where place and memory intersect. Standing beside her work, it became clear that these images were also a reflection of her own journey as a student learning to see with intention and empathy.
In another corner of the exhibition, black-and-white ink drawings offered a different emotional texture. Graphic design student Shaikha al Farqaniya presented abstract works inspired by botanical and animal motifs. Restricted to black ink, each line demanded precision and patience. The absence of color shifted attention to form, rhythm, and balance, allowing viewers to appreciate the discipline behind the creativity. Each piece took nearly a week to complete, shaped by careful research into abstract decorative patterns and personal interpretation.
For Shaikha, participation in the exhibition extended beyond displaying artwork. It was an opportunity to contribute to a collective effort, where individual creativity became part of a larger narrative of giving. The artworks were modestly priced, reinforcing accessibility while emphasizing that the true value lay in intention rather than profit.
As visitors moved through the space, the exhibition revealed its deeper impact. It was not only about supporting charitable causes, but about shaping a generation of students who understand the social dimensions of their talents. The initiative encouraged young women to see their skills as tools for connection, empathy, and responsibility.
Creativity for Giving ultimately stood as a portrait of purpose. Through the faces reflected in photographs, the patience embedded in ink drawings, and the quiet pride of students explaining their work, the exhibition affirmed that when creativity is guided by compassion, it becomes a lasting contribution to both community and self
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