

MOHAMMED AL BATTASHI
MUSCAT, OCT 9
The Omani Society for Fine Arts hosted the opening of the second edition of the 'Hiber Art Exhibition for Arabic Formative Letters'. The event, held under the auspices of Ibrahim bin Saif Bani Oraba, Assistant Director-General at the Ministry of Culture, Sports and Youth, brought together 47 artists who presented more than 63 works exploring the creative and cultural potential of Arabic calligraphy. The exhibition will continue until October 12.
Speaking to the Observer, Ibrahim said, "Through exhibitions such as this, we aim to stimulate the artistic movement in Oman. The Omani Society for Fine Arts, which works under the ministry, plays an important role in organising events that support and encourage creativity."
He noted the significance of the new exhibition space: “Today, we have one of the largest display areas in the Sultanate of Oman, capable of showcasing more than one hundred works at once.” He also praised the quality of the works presented this year compared to previous editions.
“This exhibition is marked by stronger media promotion and greater participation. It is inspiring to see such a high level of creativity on display. He emphasised that this progress was made possible by the ministry’s close engagement with artists, listening to their aspirations.
Among the participating artists, Samia al Hadi showcased her work using Arabic letters arranged like columns with a golden centre. "The golden core represents the essence of human character. Just as gold retains its value under pressure, so too must human principles and morals remain steadfast despite challenges. My work portrays a person who faces difficulties from society yet still radiates beauty and positivity for others,” she said.
For Nabil al Qaidhi, a calligrapher participating in the exhibition, the event was an opportunity to try new forms. “Taking part in Hiber allows me to present the Arabic letter in a contemporary spirit, blending heritage with innovation. My artwork combines Arabic letters with traditional carpets to express identity and memory,” he said. He said that art has the power to weave letters and textures together, creating stories of belonging and beauty. He also expressed optimism about the future of calligraphy in Oman, and that growing appreciation for the Arabic letter is opening new horizons for Omani art locally and internationally.
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