

In a delightful fusion of culture, imagination and heartfelt storytelling, Sri Lankan authors Dinesh Deckker and Subhashini Sumanasekara bring to life their second children’s book, Sasha and the Sands of Oman. Following the success of Sasha and Kitty’s Enchanted Journey (2023), the duo’s latest installment continues the adventures of Sasha, this time weaving in the rich textures, landscapes and traditions of Oman — a country they proudly call home.

“The creation of Sasha was inspired by the everyday wonder we saw in our daughter,” say the authors. “We wanted to craft a character who explores the world with empathy, curiosity and kindness. Sasha embodies the dreamer in every child.”
Far from being just a scenic backdrop, Oman becomes a vital character in Sasha’s journey. “Unlike commercialised destinations, Oman is where silence speaks,” the couple notes. “It’s a land that respects tradition while gently embracing change. By anchoring Sasha’s adventure here, we were honouring a country that has deeply shaped our own outlook.”
Each chapter draws from real-life experiences — sharing meals with Omani families, walking through ancient souqs, celebrating weddings, and exploring wadis. “This isn’t a tourist brochure — it’s a heartfelt tribute,” explains Subhashini. “We’ve lived these moments and we wanted to portray them with genuine cultural respect.”
Chapter 15 holds special meaning. “Set in a desert camp, it’s the soul of the book,” says Dinesh. “Sasha sits under a canopy of stars, listening to a Bedouin storyteller. It’s a quiet, reflective scene — one we’ve experienced ourselves. The desert teaches you that not all adventures are loud. Some are deeply silent and transformative.”

The writing process between the husband-wife team was organic and intuitive. “Dinesh worked on the framework and locations, while I added emotional depth,” shares Subhashini. “There was no rigid method — it was more like a dance of ideas over coffee and quiet evenings.”
Blending education with entertainment was essential. “We didn’t want it to feel like a textbook,” says Dinesh. “When Sasha uses phrases like Ma’a salama or gets lost in the labyrinth of Muttrah Souq, children absorb culture effortlessly — it’s learning through wonder.”
The book’s impact has resonated with families and educators alike. Wajira Degambada, a dance teacher in Salalah, shared: “Reading Sasha and the Sands of Oman with my daughters was one of those rare experiences where we both felt transported — her with wonder, me with nostalgia. It’s gentle, wise and filled with warmth. We’ve already read it twice.”

Candice Viljoen, an English teacher, echoed similar sentiments: “This beautifully written story takes readers on a gentle journey through Oman. The vibrant illustrations and lyrical storytelling highlight the country’s diverse beauty—from Muscat to Salalah. I especially appreciated the subtle message about memories and the joy of recording them. It’s a delightful read for families.”
The response from young readers has been just as touching. “Some children now pretend to be Sasha on their travels,” smiles Subhashini. “One Sri Lankan mother told us her daughter wants to learn both Arabic and Sinhala — because Sasha speaks both. That’s exactly what we hoped for.”
Sasha’s story, the authors hint, is far from over. “She’ll explore Egypt next, but Oman will always be home,” they say. “She may return for the Khareef in Salalah or sail through Musandam’s fjords. Discovery never ends — it just deepens.”
Their message to fellow writers is simple yet profound: “Write with authenticity. Let the culture breathe. Think like a child — curious, brave and open-hearted. When done right, children’s books don’t just entertain — they build bridges that endure.”

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