“Tajalli Al Noor” When art became a journey into light

For seven days in June, a quiet corner of Al Athaiba became a space of reflection, emotion and human connection.
Hosted at Film Café from June 10 to 17, artist and writer Jawaher al Maqbali’s exhibition Tajalli Al Noor (Manifestation of Light) was more than a display of paintings. It was an invitation to pause, to feel and to encounter something often lost amidst the rush of daily life, light in its deepest sense.

From the moment visitors entered, they stepped into a world shaped by colour, storytelling and introspection. What made the exhibition distinct was not only the artworks, but the way they were experienced.
Beneath each piece was a QR code leading to a written narrative behind the work. Instead of gathering around labels or discussing interpretations, visitors quietly scanned and engaged with the stories in solitude. This quiet interaction became central to the exhibition’s purpose.
“Our focus was to let people not just see, but truly experience love, connection and light”, said Al Maqbali. “We wanted each person to have a personal experience with the artwork”.

The response went beyond expectation.
“My initial intention was simply to allow light to reach people and witness its beauty”, Al Maqbali reflected. “What surprised me most was that not a single day passed without someone crying from the intensity and beauty they felt”.
Visitors often stood silently before works, moved by stories that stirred memory and emotion in unexpected ways. The exhibition became less about observation and more about inner reflection.
Audiences also travelled from beyond Oman, including visitors from the United Arab Emirates, while inquiries and artwork orders arrived from Jordan. For Al Maqbali, one of the most meaningful outcomes was reconnecting with people she had not seen in years.
“People I hadn’t seen in over six years showed up”, she said. “This exhibition showed me what love and light can do”.

Among attendees was Kulthum al Balushi, a civil engineer and project manager who travelled from the UAE specifically to attend. She had long followed Al Maqbali’s work online and wanted to experience it in person.
“From the moment I entered, I felt a deep sense of belonging”, she said.
As she moved through the gallery, she found her own emotions reflected in the artworks. What began as admiration turned into something deeply personal.
“While moving between the works, I felt hope”, she recalled. “Someone had once felt what I was feeling and overcome it. In that moment, something inside me expanded”.
By the time she returned home, she sensed a shift within herself.

“I don’t know exactly what changed”, she said. “But I hope it was my first spark of light”.
For Qasim al Yaqoubi, a student affairs specialist at the University of Technology and Applied Sciences, the exhibition revealed the connection between visual art and storytelling. He described the works as living texts where colour and narrative merged into emotional depth.
Behind each canvas, he said, seemed to be a hidden story, a dream, or a quiet human truth. The works, he added, did not simply invite viewing, but dialogue.
“They spoke to us and awakened questions about beauty and existence”, he said.
Although the exhibition ended on June 17, its impact continues. Messages still arrive from those who wished it had been extended, while others returned multiple times during the week, drawn back to the experience.
In a world filled with noise and distraction, Tajalli Al Noor offered something rare: a space where art became a conversation with the self and where light was not only seen, but felt.