Oman Observer

Reminiscing the ‘DIVIDE AND RULE’

Serena Chaudhry –
LONDON –
A new film exploring the partition of India will offer audiences a poignant reminder, 70 years on, that using politics to divide communities is nothing new, its British director says.
Gurinder Chadha, whose grandparents lived through the violence that followed the birth of Pakistan in 1947, said it was important for her to mark the milestone with a film like “Viceroy’s House”.
“The film is a timely reminder of what happens when politicians and leaders start using divide and rule,” she said in an interview.
“Eventually, it leads to violence and it leads to death, and that doesn’t serve anyone.”
The film, which opened in UK cinemas on Friday, focuses on the final pre-independence days in office of Lord Mountbatten, played by “Downton Abbey” star Hugh Bonneville.
It traces the turmoil that ensues as British and Indian leaders grapple with the issue of independence and looks at its effect on the Indian staff at the residence of the film’s title.
In the film, Sir Cyril Radcliffe (Simon Callow), the harassed lawyer tasked with drawing the line on the map between India and what became Pakistan, calls it “a monstrous responsibility for one man”. It’s a monstrous responsibility for one director too. Chadha has responded to the challenge by making a sprawling and vivid melodrama, full of humour and pointed social observation.
The downside is that the melodrama and the politics sit uncomfortably side by side. Given the convulsive events during partition itself, the conspiracies, backbiting, and love affairs in the “Viceroy’s House” seem just a little bit inconsequential.
Mountbatten is played in patrician fashion by Hugh Bonneville, who doesn’t look remotely like the real-life character but who projects a stolid, old-fashioned British decency. He very clearly wants to do the
right thing (not to “let the side down”) but is in a situation in which every choice he makes is likely to rebound badly on him.
Chadha opens the film with a famous quote by Churchill, “history is written by the victors”. In this case, identifying the victor isn’t straightforward. After all, the British are in retreat, even if they are determined to protect their interests against Stalin. England is all “slums and bomb sites” after the war and the Brits simply can’t afford India anymore.
More than 1 million people died in the political earthquake set off when India and Pakistan became two countries and gained independence from Britain. The neighbours have since fought three wars and relations between them remain tense.
For Chadha, whose other credits include “Bend it Like Beckham” and “Bhaji on the Beach”, the film offered the opportunity to redress what she views as the standard narrative blaming the violence on disputatious Indians rather than Britain’s divisive imperial policies.
“I wanted to challenge the historical narrative of partition and independence, the last days of The Raj. I wanted to challenge the way I had been taught it at school, based on the evidence that I had come across in my research,” she said.
Bonneville’s co-star as Lady Mountbatten is “X-Files” actress Gillian Anderson.
The main protagonists among their staff are played by award-winning Indian actress Huma Qureshi and US actor Manish Dayal. The film also provides a valedictory role for veteran Indian actor Om Puri, who died in January. For Qureshi, like Chadha, making the film was as much a personal as a professional journey.
“My grandfather’s sister was married in Pakistan and they lost touch for many, many years,” said Qureshi. “A few years ago, a man just popped up at my dad’s restaurant and he said, I think I’m your cousin… And they exchanged names and family trees, and he was. And of course, it was so overwhelming and so emotional.”
Chadha is an immensely lively storyteller with a great flair for character and humour and an obvious desire to expose injustice. She has spoken in interviews of wanting to give the film the same sweep as old David Lean widescreen epics. In spite of composer A R Rahman’s swirling, dramatic score, this isn’t something “Viceroy’s House” comes close to achieving.